Fingerboard Stories
The Fab Four didn’t just revolutionize popular music; they changed the way we thought about musicians as personalities. The way they interacted with the press – their presence humour – ripped up the rulebook and set a precedent for generations of musicians to come. Needless to say, Messrs Lennon, McCartney, Harrison and Starr’s correspondences with reporters have resulted in many a memorable quip over the years. And for this post, I thought it’d be fun to collect some of the best quotes – everything from zingers to profound words of wisdom – uttered by the Beatles.
Earlier this week, we lost one of the greatest rock producers of all time. You’ve only got to look at the list of bands Martin Birch worked with to recognize his impact on rock n’ roll. He cut his teeth engineering for Fleetwood Mac and Wishbone Ash before moving on to producing such legends as Black Sabbath, Deep Purple, Rainbow and Iron Maiden. Today, in honor of the late, great production wizard, we’re taking a run through five classic Martin Birch-produced tracks and talking about what makes them so great.
When it comes to breakout singles, they don’t get much better than “You Really Got Me.” The 1964 track didn’t just put the Kinks on the map; it changed the rock n’ roll landscape with its incendiary guitar tone. “You Really Got Me” brought distorted guitar to the masses. It’s the genesis of all things hard and heavy in rock. And, as the legend goes, it was an act of aggression from Kinks guitarist Dave Davis that created the sound and started an amplifier revolution in the process.
That the instrumental Albatross was a mammoth hit for Fleetwood Mac is testament to the lyrical nature of Green’s guitar playing. One of the biggest selling instrumental songs in English history, it’s the track that the Beatles wished they’d written. As Rolling Stone notes: “Its heavily reverbed guitar partially inspired the Beatles’ “Sun King.” “We said, ‘Let’s be Fleetwood Mac doing “Albatross,” just to get going,’ ” George Harrison recalled. “It never really sounded like Fleetwood Mac … but that was the point of origin.”
