Fingerboard Stories
Austin’s Hippie scene was likely what Nelson needed to get his creativity going again. He went back to performing and writing, combining his songwriting style with elements of country, folk, jazz, and rock and roll into a new sound (creating the blueprint for what would be known as Outlaw Country).
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For one thing, it helps keep our ears and minds fresh. After listening to tons of guitar-based music, you do hit a saturation point where you do want to listen to something else. It can be possible to have too much of a good thing. Sometimes, a trip into another genre is all you need to clear your mind.
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Many, many years ago, while perusing the pages of a guitar magazine, there was an article with various pro players offering various tips to improve one’s playing. One that stood out for me was a tip from the great Steve Morse (of the Dixie Dregs and Deep Purple), who had a tip about soloing over changes.
People in the music industry give me blank stares when I brush off 8 million dollar offers. I don't want 6 tour buses, 15 tractor trailers and a jet. I don't want to play stadium shows, I don't want to be in the spotlight. I wrote the music I wrote because I was suffering with mental health and depression. These songs have connected with millions of people on such a deep level because they're being sung by someone feeling the words in the very moment they were being sung.
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Some may think though that this truly isn’t a custom instrument, to which I say poppycock! Some of the most iconic instruments, from Billy Sheehan’s original P-Bass, to Brent Mason’s famous three-pickup Telecaster, were all the result of a player taking an instrument and improving it to suit their needs.
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